Scenic Projects
Own Choreographic projects
Year or premiere, description, place/institution and video link or visual archive
2024 work in progress
2024
Multidisciplinary performance art project featuring four dancers, a storyteller, and two video projections. The performance is scheduled to be presented in March 2025 at Bayt AlManzar Independent Art Space in Dubai.
2020
Intimate Moments
2020
Series of short dance films in IG format, showing intimate moments of emotional architecture at the surroundings on Reem Island during the Pandemic 2020 Abu Dhabi, UAE. IG@lilliancmuller____
2018
Notebook
2018
Presentations in Solo Festival Mexico City Teatro Benito Juárez and UN Teatro Feb 2018.
Choreographic exercise between tenderness and anger, fear and trust. Black and white, introversion and extroversion. Acquired or learned social need to show oneself before a society, "proper make-up, well dressed, educated and inside with an existential malaise." The central theme is the integration of duality. The performer uses her voice as "another character" , the Nietzschean inner self, the audience is her notebook, her personal diary.
Reel
2014 - 2016
Unequivocal Fracture
Dialogue, interaction and improvisation, sensory laboratory expressed with the body in movement, sound art and interactive visuals. The piece aims to build a bridge between technological discourse, musical composition, new media and movement. The concepts are the cycles of life, the evolution of the individual through time, expressing the existence of the contemporary human being affected by technological and ideological revolutions and current phenomena. Thus merging classical and contemporary dance.
Teatro de la danza Feb 2014
2010
Sola Feminus
2010
Invitation to present “Unequivocal Fracture” as a solo piece with UNAM in Morelia, Mexico.
Solo pieces of women choreographers and dancers.
Handout & visual archive
2008
Showcase
2008
Project endorsed by Arts Everywhere 2008/2 scholarship by the Government of the Federal District, Ministry of Culture. The performers were inmates from a women's rehabilitation centre in Santa Martha Acatitla in Mexico City. Workshop and showcase with the theme of self-awareness exercise as a tool against violence.
Visual Archive & handouts
2008
Rebel
Stories,
Rebellious
Women
Project endorsed by Arts Everywhere 2008/2 scholarship by the Government of the Federal District, Ministry of Culture. A piece that exposes the problem of sexual harassment in public spaces, a woman body was exposed in three different moments. The body is the territory with which we act. It is not only a physical body, nor a physiological machine, it is a living organism capable of giving meaning to the experience of itself.
Presentation dates: 03/08/2008 Esplanade of the Zócalo of Mexico City, International Women's Day. 06/03/2008 Meeting of promoters of Women's Human Rights, SUM Álvaro Obregón. 07/02/2008 Meeting of promoters of Women's Human Rights, SUM Álvaro Obregón. June 21 and 27 July 4 and 11, 2008 Health Days for Obregonense Women; Delegational Esplanade, Col. Puente Colorado, providencia, la Era and Pilot Álvaro Obregón
Handouts and Diploma
Activity as dancer/performer, cooperation in projects/collaboration etc.
Year of premiere, title, choreographer, place/ institution
2023- 2024
MUJO
Choreographer: Kiori Kawai 2023 www.kiorikawai.com https://www.kiorikawai.com/works/mujo MUJO (impermanence) is a dance piece using the sandy desert as the performance arena, with visuals projected on a large dune in which the dance takes place. There will be two final outcomes: an immersive multi-channel film installation, and a live performance in the desert.
MUJO Installation & live performance Installation: 2024 Sep. 7th - 17th at Manarat Al Saadiyat, Abu Dhabi, U.A.E Opening reception: Sep. 9th 5-8pm, Artist talk on 6:30pm Installation: 2024 Sep. 26th - Nov.3rd at New York University Abu Dhabi Project space, Abu Dhabi, U.A.E Live perfromance: 2024 Nov. 1st & 2nd at Al Khatim Desert - Commissioned by NYUAD Arts Center
2020
Experimental Live interactive mediaturgy of remote creation for 3 artists.
Héctor Cruz / Lillian C. Müller / Camilo Beristain
ONLINE presentation [ Sep 19. 21:00Mx 2020 ] LIVE Next Saturday 19 / 21:00 hrs Mx
Online Performance Micro Festival
This piece, part autonomous, part instrumental, seeks to be a creative bridge that dissolves time boundaries. That it walks a few more centimetres in the inclusion of an active public, of the relationship of the body in space, the point of view and the sound.
Video
2016
Ave Muxe
Menta Movement production, dramaturgy direction: Lillian Castillo- Müller, Interpreter: Carlos Castilian, audiovisuals: Joaquín Jiménez-Sauma, design and technical assistance: Francisco Cardoso. Presentation dates and places:
03/24/2017 10/21/2016 10/15/2016 10/16/2016 10/2/2016 10/1/2016
Spain Cultural Center Mexico City. Oaxaca Philately Museum, Oaxaca. Rehearsal House of the Tehuantepec Theater Company, Oaxaca. Rehearsal House of the Tehuantepec Theater Company, Oaxaca. Based on The Muxes, in Juchitan México. This is a journey through body plasticity, ambient sounds and video installation. Scenic catalysts occur and establish a dialogue with femininity in a body generally called masculine. The approach to masculinity and femininity is given by otherness, understood as an attribute that comes from the collective unconscious and manifests itself in each subject
Video 2017 oaxaca
2015
Interdisciplinary experimentation, public intervention and interaction between digital and acoustic sounds with the body based on the states or qualities of the universe guided by a sound track produced by Joaquin Jimenez-Sauma and cello performance by Teresa Arias, performed by Lillian C Müller. The work is presented at Anahuacalli Gallery in @ Mexico City 2015.
Visual archive and Diplomas
2014
Presentation dates and places:
06/03/14 Sala Julián Carrillo Radio Unam, Mexico City.
06/27/14 Teatro Legaria, Mexico City.
10/2014 Foro Lenin
Synopsis:
Audiovisual and kinetic exercise that seeks to explore the sounds of the city. Sound, movement and video are recorded, created and manipulated from the city as the main character. Finding hedonism in chaos. Taking sounds out of context and appreciating them in a different way, for the simple fact of doing so, a way to turn our environment into a fantasy. Sometimes we would like to be able to dominate the environment to our advantage and whim. In this auditory fantasy, we turn common sounds of our environment into sweet and rhythmic compositions that make us owners of it, controlling it, manipulating it, being the absolute owner of the present and transforming it. Joaquín Jimenez / Idea, original music and live performance
2014
URBAN DREAM
Presented in the Mexican Zócalo during the Indigenius Festival. Audiovisual and kinetic exercise that seeks to explore the sounds of the city. Sound, movement and video are recorded, created and manipulated from the city as the main character. Finding hedonism in chaos.
2014
Animal Tracassé
French House in Mexico City March 2014. Cultural project endorsed by the French Embassy. Video and concept: Ragnar Chacín, Choreography: Lillian Muller, Performers: Manyanga Como & Lillian Muller.
Audio: Joaquín Jiménez. This is the journey of two bodies Homogenised by movement that transcend into some kind of restless animal and vice versa. This sound video installation shows the transformations of two human bodies, performed by Lillian Muller and Manyanga Como, contemporary dancers, who manifest themselves by dancing.
2014
Conscious of a Dream
Sound, visual and physical journey of six individuals. They search, float, have fun, accept, dance, taste, smile, listen to sounds, smells, colors, are and are in interpersonal spaces as part of a collective dream.
Video
Flashmob by Energy Fitness in Reforma 222, Mexico City. Music Mixed by Joaquin Jimenez using Ableton Live. Choreography by Lillian Muller.
Find out more about Joaquin Jimenez at: about.me/jjsauma More info about Lillian Muller: www.lilliancmuller.com
Falshmob video
2010
mitrovika
dancer in Mitrovika productions directed by Andrea Chirinos
Winner of INBA UAM Choreographic Prize 2011
Diploma & handouts
2007
Butoh Dance 0.618
Directed by Jaime Razzo
Tour in Cuenca, Bolivia with the production Broken Bones
Reviews & Handout
2006
Object Woman
Project winner of the 2006/2 Arts for All Parts grant from the Government of the Federal District, Secretariat of Culture. Presentation dates and places: 07/08/2006 Plazuela La Fama, Calle La Fama and Insurgentes Sur 07/15/2006 Plaza Independencia, Martín Carrera between Guadalupe Victoria and Anastasio Bustamante. 07/19/2006 Center for Attention to Abused Women of the Government of the DF.
Street theatre scene for the prevention of violence against women. Original by Luis Rodriguez Leal, Actress: Susana Ugalde, Choreography by Lillian Castillo Müller.
The piece revolves around the objectification of the female body. The piece is a satire by taking the dancer as a robot that only gives pleasure by seeing and moving her.
handout & diploma